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DRESSAGE
 The Art of  Classical Riding 
 
by Sylvia Loch
 
Sylvia Loch's book is a passionate plea for the classical tradition of the great masters to continue to be the inspiration for modern riders seeking to attain the highest standards in the intense competition of modern dressage.
About this Book 
 
"Dressage - The Art of Classical Riding", now in its second edition, is also translated into German and French and has proved the definitive book for serious dressage students and classical riders world-wide. 

In this major work, Sylvia Loch traces the colorful and superbly elegant tradition of classical riding from its early beginnings in the time of Xenophon, through the Baroque splendor of equitation in seventeenth century Germany and Austro-Hungary, to its later flowering in France, Spain, Portugal and England. In the twentieth century Alois Podhajsky, Nuno Oliveira and other great masters continued to practice and teach at the pinnacle of the art; while in recent years others have carried the classical tradition into modern competition dressage, which now plays an important role in the Olympic Games. Sylvia Loch also discusses the spread of interest in dressage in the USA, Hungary, Denmark, Holland, Belgium and Australia. 

Here then is a magnificent evocation of classical riding over two thousand years which has developed against a tapestry of constant change in the lives of every generation. Sylvia Loch's book is a passionate plea for the classical tradition of the great masters to continue to be the inspiration for modern riders seeking to attain the highest standards in the intense competition of modern dressage. 

Today the author Sylvia Loch is generally considered the leading authority on classical riding in the English-speaking world. She lectures on the history of dressage world-wide and has judged at both national and international championship level for the Spanish and Lusitano societies in the USA and Australia.   

 
 
 
 
 
 
 
Monsieur de Nestier (1684 - 1754),   
royal équyer mounted on a Spanish horse.  
 
Pirouette to the right. Horse and rider 
look in the direction of the movement. 
 
Olympic rider Nicole Uphoff riding Rembrandt - light, still, 
straight and at one with the horse. 
 
Eighteenth - century engraving showing the Capriole. 
 
Dusan Mavec riding the Lipizzan Pluto Canissa IV 
demonstrates the collected elevation for which the  
Baroque horses are famed. (Photo by Bob Langrish) 
 
 
D. José Athayde, former lead rider of the  
Portuguese School of Equestrian Art, 
working his Alter Real stallion in hand.
Hardcover, 8.5 in.  x 11.0 in., 230 pages,
120 color & black/white pictures.